Another nice feature is its FRONT bass ports, which allows for closer placement to the walls in smaller rooms. The Genelec name is the one synonymous with high-end studio monitors. With their recent AW M series , Genelec has found a way to make themselves at least somewhat affordable to the average guy. The most popular model of the series is the Genelec The unique 3 way design of the Focal Twin6 Be is the primary feature that sets these monitors apart from the rest. While most 3 way designs use a larger driver for the bass, and a smaller one for the mids, this model instead uses identical 6.
As anyone who used them before would tell you, the extra 3rd cone makes one hell of difference in sound. A common problem when working on high-end monitors is….
To solve this problem, the Auratone company invented a small set of monitors in , known as the Auratone 5C Super Sound Cube …. Which simulated the less-than-ideal performance conditions of typical consumer speakers. For decades to come, the Auratones held strong as the industry standards in secondary reference monitors. And the Avantone Mix Cubes , eventually became the new standard which we all use today. As a supplement to ANY of the other monitors on this list, I highly recommend you grab yourself a pair of Mix Cubes as well.
A pair of studio monitors is an essential investment, allowing for a deeper, more 3-dimensional sound which is perfect for reproducing stereo audio. As discussed above, the setup of your studio monitors is key to maximising your potential, as a well-planned setup will allow you to enjoy more accurate reproductions of your audio. There are a number of things to consider, but it is particularly important to bear in mind room size you need a monitor which suits the size of your room , room ambience you should look to minimise the number of things which sound can bounce off, as this can subtly alter the sound — you should take particular care to remove anything which comes between your ears and the monitor and monitor placement keep them away from walls if possible, ideally on a speaker stand which raises them a couple of feet above the ground.
Once your monitors are in position, you should ensure your listening position is an appropriate distance from the monitors; most home studio monitors will be near-field, and should be listened to from a distance of approximately m. Put simply, the difference between a passive and an active speaker is whether or not the speaker has a built-in amp for producing sounds at loud volumes.
However, it is worth bearing in mind that as everything is built-in, active monitors can be heavier and more bulky; and if one element of the monitor fails, you have to send the whole set off for repair! Subwoofers are designed to reproduce low-end sounds accurately, and are important for anyone creating bass-heavy audio; dance, rock and hip-hop in particular tend to have strong bass notes, and can require a subwoofer for best results; bass notes can very easily become distorted on average speaker sets, so a dedicated audio engineer should consider a subwoofer an essential part of their setup.
However, if you are thinking of buying a separate subwoofer, you will need to take into account the size and layout of your home studio — placing a subwoofer against a wall will make the bass notes in your audio sound louder than they actually are, which may lead you to lower them in your mix, therefore leaving them under-powered in the final product. Ensuring that your room is equipped to handle the effects of a subwoofer is key before making a purchase.
Buying Guides. The Ultimate Guide to Studio Monitors. Mark Eastwood 4 years ago no comment No tags. Tweeters are often cone- or dome-shaped, again constructed from a wide range of materials.
They are responsible for producing high frequencies, usually starting at around 2 kHz. The other speaker, placed below the tweeter vertically, is called a woofer. These are generally cone-shaped and responsible for producing low and mid-range frequencies in monitors with two drivers called two-way. Some monitors have a third driver, a mid-range speaker. In this three-way system, the tweeter will produce high frequencies, the mid-range speaker will produce mid frequencies, and the woofer will produce low frequencies.
Behind each driver is an electromagnet. This magnet is pulsed on and off rapidly, causing the driver to move back and forth fast enough to reproduce the complex audio signal. Signals entering a monitor must be amplified before playing through the drivers.
This can be done with two different systems: passive and active. Monitors that run in a passive or active system are called passive and active monitors respectively. A passive monitor requires an external amplifier to amplify the input signal before entering the monitor. This amplified signal is then sent through a series of electronic components within the monitor called the crossover network.
The crossover network essentially acts as a filter, separating the input signal into multiple signals based on frequency. In studio monitors with one tweeter and one woofer, the crossover network will create two signals—one with higher frequencies and one with lower frequencies. The higher frequencies are sent to the tweeter and the lower ones are sent to the woofer. The output of one amplifier is split by the crossover network and sent to the relevant drivers. An active monitor does not require external amplification, as amplifiers are housed within the cabinet.
The input signal entering the monitor passes through the crossover network first, after which each band is separately amplified before being sent to the relevant drivers. In a studio monitor with one tweeter and one woofer, signal would be split into two bands and each band would have its own dedicated amplifier. Some systems introduce a third speaker, splitting the signal into low, mid, and high frequencies. Drivers generally sound more precise and defined when they are powered individually, so bi-amp and tri-amp configurations will usually sound better than single-amp ones at a similar price point.
Check out this passive vs. In a home studio setting, active speakers are much more convenient. This will help when space and budget are factors in designing your home studio. Active monitors are designed so the built-in amplifiers match the drivers well. Neither type of system is necessarily superior in principal, as there can be a wide range in the quality of both active and passive systems.
Monitors will sound different depending on your listening distance. Because of this, most monitors are designed to be used as either near-field or far-field monitors. There are certain benefits to using each in your home studio. Near field monitors generally have smaller drivers and are placed closer to the listener around feet away. Near fields will seem to increase the ratio of direct to reflected sound.
This will reduce the impact of room acoustics, allowing for more detailed work, such as identifying small problems in the mix like pops and clicks. Additionally, near fields are beneficial because they tend to have a slightly narrower frequency response—a measurement of the range of frequencies the monitor can produce. Near fields, therefore, will sound more similar to consumer monitors than large, expensive far field monitors will.
Near field monitors can be positioned on stands or simply on the top of a desk. Simply placing monitors on the top of a desk can cause the desk itself to resonate. Isolation pads can be placed underneath desk-mounted monitors to reduce the effect of the desk resonating. However, sound waves can still bounce off of the desk, causing additional resonances. For this reason, stands are the best bet for your near field monitors.
Far field monitors, on the other hand, generally have larger drivers and are placed along the perimeter of the room further away from the listener around 10 feet away. Far fields allow audio to be heard in the room, taking advantage of room acoustics to impact the sound. Using the entire space in the room allows for the development of lower frequencies, which have a longer wavelength.
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